Did you happen to record Monty Python’s Flying Circus
when it was shown on PBS back in the 1970s?
Do you still have the tapes?
Is there a TIME LIFE logo at the end?
If so, please write to me. Thank you!

Click here to learn the story.

La donna è una cosa meravigliosa

(Woman Is a Wonderful Thing, 1964)

Click here for a Spanish blog about this movie.

This is NOT a movie by Tinto Brass, but he does have a momentary bit part in the second episode. This is one of those wonderful, delightful light sophisticated comedies of the early and mid-1960s. Except for a few little oddities like Dr. Strangelove and The Pink Panther and How to Steal a Million, they all seem to be forgotten. Check people’s opinions on the web, and you’ll find that the few who deign to comment don’t have anything good to say. Something tells me that this isn’t the entire story. If these films were to be shown again today, I think they would bring the house down. The film’s opening act, La balena bianca (The White Whale), is a true masterwork. The members of the Orfei Circus play themselves — sort of. Midget MC Eros is having a fling with a midget acrobat named Luciana. The trouble is that Eros is married to the fat-woman acrobat Ciccia. Eros’s numerous attempts to murder his wife are all in vain, as she is indestructible. Not only is the story brilliant and captivating, and not only are the circus acts top-notch, but the design, lighting, and cinematography are unbeatable. Visually this is one of the most hauntingly gorgeous movies I’ve ever seen. The cinematographer was the great Gianni Di Venanzo, and his camera operator, Pasquale (or Pasqualino) De Santis, later rose in the ranks to become arguably the finest cinematographer of all.

The second story, Una donna dolce dolce (A Sweet Sweet Woman), can’t match up to the first, but it’s still a delight. Childlike wife Rossella, unhappy that her husband Carlo doesn’t want children, treats him as an infant, relegating him to the children’s den and treating him to countless gifts of baby toys. Tinto Brass, with what was then his trademark frizzy hair, plays one of the guests in Rossella and Carlo’s back yard who witness Carlo’s squirming embarrassment at his wife’s antics. He has a grand total of two lines. Sandra Milo plays the lead. She was also in Il Generale della Rovere and narrated parts of Ça ira. The reason? She was producer Moris Ergas’s mistress at the time.

Maddeningly, the two cartoons (which were in color in this otherwise black-and-white movie) that originally appeared between the two main stories have been deleted from the home video. Why? Probably just to annoy us.

This was the end of Tinto Brass’s contract with Moris Ergas and Zebra Film. I don’t know the reason why, though it might pertain to the censor troubles brought about by his first two features. After this he would be offered a two-film contract by Dino De Laurentiis, but under De Laurentiis, Brass would be assigned another writer’s scripts. why? I don’t know.


A mere 43 years after the première, the soundtrack album is released. It includes the music for “Una donna dolce dolce,” not for “La balena bianca.” Oh well.... Still great to have, though.

ANICA — Associazione Nazionale Industrie Cinematografiche Audiovisive e Multimediali.

Originally released on Thursday, 31 December 1964


moris ergas

la balena
una donna
dolce dolce






di Pino Zac

di Y. Kuri

La balena bianca

Soggetto di (original story by)Goffredo Parise
Scenegiatura di (screenplay by)Leonardo Benvenuti
Pieor de Bernardi
Goffredo Parise
Assistente alla regia
(assistant to the director)
Luigi Bazzoni
Ispettori di produzione
(unit manager)
Antonio Negri
Carlo Murzilli
Operatore alla machina
(camera operator)
Pasquale De Santis
Assistente al montaggio
(assistant to the editor)
Sergio Montanari
Segretaria di edizione (continuity)Wanda Tuzi
Stabilmento di sviluppo e stampa
Istituto Luce S.p.A.
Edizione sonora (recording studio)International Recording
Le attrezzature e numeri artistici sono stati gentilmente concesi dai (circus equipment and artistic numbers kindly provided by)Circo Internazionale Orfei
Montaggio (editor)Nino Baragli
Costumista (costumes)Danilo Donati
Scenografie di (set designer)Luigi Scaccianoce
Musiche di (music by)Carlo Rustichelli
Edizione musicali CAM
Direttore della fotografia
(director of photography)
Gianni Di Venanzo
Direttore di produzione
(production manager)
Mauro Bolognini
CicciaGiampiera Colombo
ErosArnoldo Fabrizio
LucianaCarmen Najarro

Una donna dolce dolce

Soggetto di (original story by)Antonio Guerra
Giorgio Salvioni
Sceneggiatura di (screenplay by)Leonardo Benvenuti
Piero de Bernardi
Antonio Guerra
Giorgio Salvioni
Assistente alla regia
(assistant to the director)
Silvio Maestranzi
Ispettori di produzione
(unit manager)
Antonio Negri
Carlo Murzilli
Operatore alla macchina
(camera operator)
Arturo Zavattini
Assistente al montaggio
(assistant to the editor)
Paolo Fiorellino
Segretario di edizione (continuity)Albino Cucco
Stabilmento di sviluppo e stampa
Istituto Luce S.p.A.
     TechnicoEnzo Verzini
Edizione sonora (recording studio)Nevada
Montaggio di (editing by)Franco [“Kim”] Arcalli
Costumista (costumes)Piero Tosi
Scenografia (set design)Luigi Scaccianoce
Musiche di (music by)Piero Piccioni
Edizio musicali RCA
Direttore della fotografia
(director of photography)
Otello Martelli
Direttore di produzione
(production manager)
Manolo Bolognini
Rossella Sandra Milo
Carlo Vittorio Caprioli
Laura Beba Loncar
Lucia Angela Minervini
????? Nani Colombo
Nonna di Rossella Edra Gale
Zia Mary Paula Goodridge
Poldo Poldo Bendandi
Mario Tinto Brass [uncredited]