BEFORE SCROLLING TO THE WEB PAGE BELOW ABOUT TINTO BRASS AND ROY STUART, PLEASE TAKE A LOOK AT THESE NEWS ITEMS, WHICH ARE FAR MORE IMPORTANT THAN ANYTHING I’VE EVER HAD TO SAY:

AMY GOODMAN:     A little-noticed story surfaced a couple of weeks ago in the Army Times newspaper about the 3rd Infantry Division’s 1st Brigade Combat Team. “Beginning Oct. 1 for 12 months,” reported Army Times staff writer Gina Cavallaro, “the 1st BCT will be under the day-to-day control of U.S. Army North, the Army service component of Northern Command, as an on-call federal response force for natural or manmade emergencies and disasters, including terrorist attacks.” Disturbingly, she writes that “they may be called upon to help with civil unrest and crowd control” as well. The force will be called the chemical, biological, radiological, nuclear or high-yield explosive Consequence Management Response Force. Its acronym, CCMRF, is pronounced “sea-smurf.” These “sea-smurfs,” Cavallaro reports, have “spent 35 of the last 60 months in Iraq patrolling in full battle rattle,” in a combat zone, and now will spend their 20-month “dwell time” — time troops are required to spend to “reset and regenerate after a deployment” — armed and ready to hit the U.S. streets....

FOR THE FULL STORY, CLICK HERE.

It gets worse:

NAOMI WOLF:     On October 1, 2008, President Bush deployed a brigade — which means three to four thousand warriors — somewhere in America. We do not know where they are deployed though citizens have informally reported to me having seen military vehicles and troops in Georgia and Alabama. We do know that their official mandate according to the first report is “crowd control” as well as action in the event of a mass civilian catastrophe. Initial reports described their technology “module package” as involving Tasers and rubber bullets.... The First Brigade is Bush’s force: they are not answerable to Congress or to the Governors of states: they are answerable to the Commander in Chief. In an Alternet posting, I interviewed Air Force Colonel (retired) David Antoon who noted that the troops must obey the president, even if he asks them to arrest Congress or fire on civilians or attack media outlets. If they do not obey orders, he notes, they face five years in prison.... Antoon himself calls the deployment “ominous.” Troops on our streets makes us something less than a democracy: one definition of a police state is when a leader sends his own military units into civilian streets. Meanwhile the civilian policing of citizens is becoming more brutal. Hundreds of preemptive arrests took place in St Paul, dozens of journalists were arrested.... In St. Paul, funds were sent in advance to pay off the lawsuits against police forces that were guaranteed to arise from the planned abuse of citizens. This sort of thing is happening across the country. The tactic has established a closed circle that has turned citizens’ law enforcement agencies into contractors of a state that is directing acts of increasing severity against US citizens. Now a military brigade is being deployed....

FOR THE FULL STORY, CLICK HERE.

Click here to see an interview with Naomi Wolf conducted in early October 2008.

For the past five years or so I hve been hearing rumors that Halliburton has been building (and has now finished building) 800 prisons throughout the USA, not yet functioning, but just waiting for the right crisis. I have not found reliable evidence for the specific quantity, readiness, functionality, locations, or details, but you might be interested in taking a look at page 5 of this Halliburton press release dated 26 January 2006: KBR has been awarded a contract announced by the Department of Homeland Security’s United States Immigration and Customs Enforcement (ICE) component. The Indefinite Delivery/Indefinite Quantity contingency contract is to support ICE facilities and has a maximum total value of $385 million over a five-year term. The contract provides for establishing temporary detention and processing capabilities in the event of an emergency influx of immigrants into the United States, or to support the rapid development of new programs.... Now, really, what are the chances of “an emergency influx of immigrants into the United States”? And what are the “new programs” that could come under “rapid development”?

FOR THE FULL PRESS RELEASE, CLICK HERE.

NOW, BACK TO THE MAIN PART OF THE WEB PAGE:

Did you happen to record Monty Python’s Flying Circus when it was shown on PBS back in the 1970s?
Do you still have the tapes?
Is there a TIME-LIFE logo at the end?
If so, please write to me. Thank you!

THE WORKS OF TINTO BRASS

Freedom and Eroticism—Continued

Region 2 PAL, which will NOT play on most US/Canadian equipment. I have not seen any of these DVDs and so I shan’t comment on their quality or completeness.

Corti circuiti erotici

(Erotic Short Circuits, 1999–2000)

A competition, judged by Tinto Brass, for short erotic video scripts elicited over 600 entries, and these are the winners. I’d hate to see the losers. With one magnificent exception (Giulia—oh god what a great movie—ohhhh!!!!!), these range from okay to dreadful. One would have hoped that these videomakers had been influenced by Brass. Maybe they were, but if they were, it was only in the vaguest way. If you like T&A (or “tette e culi” if you want to be Italian about it), you’ll be perfectly content with these. Actually, you’ll probably be thrilled. Well, no, you’ll probably be more than thrilled; you’ll probably be beside yourself with ecstasy. But if you want something more than T&A, well.... But who am I to complain? These movies are exactly what they set out to be: titillation for the sake of titillation. I have no idea what I should really say about these little movies.

TECHNICAL CREDITS FOR ALL SHORTS EXCEPT GIULIA

(Weekend in Lecco)

A lesbian couple spend a weekend together. Tinto Brass has an amusing cameo at the end.

(Last Subway)

This one’s actually kinda cute. While waiting for her train, a woman performs a striptease for a guy waiting at the opposite track.

(Improper Relationships)

A cousin comes over to visit and turns the household upside-down as she seduces almost all her relatives. Brass has a great cameo at the end.

(Mirror, Mirror of My Longings)

A woman makes out with a repairman while her boyfriend is having a bath.

“S.C.T.M.V.” stands for “Sono come tu mi vuoi,” which means “I Am the Way You Want Me.”

Studio ‘A’ — Paris, France
Tinto Brass presenta
Una produzione di Giuseppe Colombo per C.I.C.
un film di Roy Stuart

I swooned when I saw this. This intensely moody experimental one-hour video begins with a French modern-dance class preparing to go to Rome, but Giulia is mysteriously singled out not to go on the field trip.

Dancing is only one of Giulia’s ambitions. Rebelling against her religious-wacko sister Christine and their religious-wacko mom (Tina Aumont, who still looked gorgeous at the age of 50), Giulia aspires to be an actress. I so much admire kids who can talk back to their parents when they need to. She goes to a private session with her acting instructor but discovers nothing more than a casting couch. After a few minutes of playing along, she scrams, but promises him anything he wants the next night. The next night is the highlight, for this is when we witness Giulia moonlighting as a live-sex-act performer at a Parisian strip club. (No faking anything during this lengthy sequence. But no graphic close-ups either, thank goodness. I’m sure this was done in one take and with a real audience.) She invites her instructor to join her on stage, but in his jealousy and shock he chickens out and leaves. Now, here’s my confession: When I was a teen, nudity and sex on film were a major turn-on. I’m no longer a teen, and nudity and sex, scripted and posed, no longer do anything for me at all. But then I saw this scene—and I melted.

There are various vignettes as Giulia walks through Paris, chats with a friend, pulverizes a pest in the park, attends a street festival, and so forth. I bet that some of these episodes were not staged, but were real events, shot as they happened. A good example of this is the bit with the Chaplin-like mime in the park, who may not have even known he was appearing in a professional video; he probably thought he was just in someone’s home movie. And I bet that was a real night in a real discotheque too. Oh the lucky people who were there that night!

Turns out that Giulia wasn’t invited to travel with her classmates because her jealous dance instructor Gustavo is having an affair with her sex-show partner Eric. She gets to Rome anyway. Apparently the Vatican hierarchy blew their collective fuse when they found out what that cameraman used his footage for. But hey, what I love about the Italians is that they’re not Catholic.

In class	Wacked-out mommy
At a Spanish street festival
Moonlighting
On stage with Eric
Inviting her casting director to join in
Giulia has a disagreement with a masher
Posing with a mime
Eric and Giulia provoke Gustavo’s jealousy	There will soon be a spectacle at the discotheque
Giulia and Gustavo settle their differences
Giulia visits the Vatican

I suspect that Roy Stuart had already started shooting this tape when he heard of the Tinto Brass competition, and probably submitted footage rather than a script. In opposition to Brass’s works, jealousy in this story doesn’t increase desire; it only increases rage. This is by far the longest of the 12 shorts, it’s the only one with a different crew, and it’s the only one that doesn’t have a cameo by Brass.

WARNING: Don’t watch this just before bedtime. If you do (as I did), it will seriously mess with your dreams. (Actually, if you like to have your dreams messed up, then watch this late at night, alone, without distractions, with all the lights out, and then when it’s over, try going straight to sleep.) And don’t be fooled by the seemingly simplistic plot. This is as moody and as atmospheric as a movie can get. The wildly expressionistic editing alone would be enough to get under your skin. But on top of that is the music, composed by director Roy Stuart, which is genuinely haunting, and which is sung to perfection by Anna Biella (Giulia) and Alessandro Corsini (Gustavo).

Certain that director/co-author Roy Stuart would now be the hottest name in erotic cinema, I looked him up on Google and for the longest time found nothing. But now he’s apparently doing quite well with his series of erotic books (published by Taschen!) and a series of erotic videos. Further, immediately upon viewing Giulia back in 2000, I was certain that Anna Biella would soon be the hottest young actress in the world. I looked her up on Google only to discover that she had vanished from the face of the earth. I couldn’t understand why and surmised that she must have been arrested by the Vatican police, tried by a secret military tribunal, and then burned at the stake for heresy. Fortunately, I was as wrong as wrong could be. She continues to work under a slightly different and probably more authentic name, Anna Bielska. She and Roy Stuart have continued to work together in a movie called The Lost Door as well as on a book and video called The Fourth Body. Quite nice.... Judging from what little I’ve seen, I feel rather confident in saying that no one is doing, or has ever done, what Roy Stuart is doing. He has real characters with real emotions, combines them with expressionistic graphics and seductive aural experiences, and creates works of genuine beauty. How many other creators of “porn” have their works exhibited in museums and published by Taschen? Thanks so much, Roy, for sharing!

Giulia is the only video I’ve ever seen that looks more effective and compelling and moody than film. So much for that elusive “film look.” Giulia has been issued in several different editions. The DVD-R currently available from Roy Stuart’s site is far superior to the VHS editions issued earlier, with much better sound and picture quality, and it’s a little more complete too. Jesus was a vegetarian? Aggressive Hawaiians? Planned animal?

OH GOD I LOVE THIS MOVIE!

NOTE: Alejandro Gagossian also models for Alessandro Corsini’s Dance Wear site. ¿Small world, que no?

ANOTHER NOTE: Brass’s introduction is included in some but not all releases. I liked it, especially because he quoted from the same school-child doggerel that Luigi Proietti quoted at the end of L’urlo.

NOTE ADDED ON SUNDAY, 30 DECEMBER 2007: Roy sent me a copy of his lovely book/video, The Fourth Body, quite some time ago, but for the longest time I simply couldn’t figure out what to say about it. Did I want to plug it? Yes. But how? How can I describe this without being misleading? Legally I guess it would qualify as “pornography,” but this isn’t like any porn I’ve ever seen before. No matter how extreme it gets, it registers as human, and the models are recognizable as perfectly ordinary humans. As basic as this concept is, in civilization (any civilization) it can be considered only revolutionary. I can just hear people assailing me from all sides that the book and video are just “porn” and that my liking them proves only that I must be a sexual degenerate. End of story. No one wants to hear a defense, because no one has patience for lame excuses. Having been confronted by this attitude for decades, I’ve been more than merely hesitant to speak the simple truth that this is a beautiful book. Yes, the images in Roy’s work are sexually graphic, but they are also emotionally evocative and lovely in their own right. The book opens with an interview conducted by Dian Hanson, and Roy’s answers are perceptive and clear. Here are a few excerpts:

D H: Your images are amazingly popular while breaking all the rules of mainstream pornography. There are no huge artificial breasts, few blondes, no pumped-up lips. How do you outsell these pros using only natural women?

R S: The mainstream erotic formula is out of date. Nature programmed us to be attracted to people of its own design — not some art director’s or photographer’s notion of what’s appealing.
Commercial present-day pornography displays a remarkable and reprehensible lack of sincerity and intelligence; its purveyors are obviously out there only for the cash. I can’t think of anything that’s manufactured with less sincerity than modern-day pornography. There’s nothing in this whole world that’s produced worse. People package duct tape with more sincerity.... The end result is a grotesque parody of human sexuality resulting in what seems to be publicity against sex. In France, they allow sex on TV because it’s so crudely done it turns people off....

D H: Describe your concept of the photo shoot as a model for a better world....

R S: ...[T]he images depict a situation where people behave as they would if there was an absence of taboos, or where people have evolved to the state where you witness women exercising the same sexual license as men and being free to behave more authentically.

D H: Are you talking about a freedom from within or without? Is this freedom from their own prejudices?

R S: What do you mean by “their own prejudices”? All prejudice comes from others. All prejudices are stupidity. All taboos carry one logic, one purpose: to control others.

D H: So you feel the differences we see in male and female sexuality are cultural rather than innate?

R S: In what way could repression be innate? I just returned from Belgium and in the hotel there were tons of women from Saudi Arabia and Kuwait, all in black, top to bottom. A lot of women had masks on. This isn’t their choice; this is the culture, imposed because that culture is afraid of women’s sexuality, which has always been the biggest threat to organised religion.

(Dream)

© Giuseppe Colombo per C.I.C. Roma 1999

Avant-garde imagery with Yuliya (now transliterated “Yulia”) Mayarchuk.

(Blessed Transgression!)

This begins as a nice exploration of Brass’s idea about jealousy being used to increase excitement. I really liked it until it got to the scene with the switchblade. Then I didn’t like it at all.

Tinto Brass presenta

Voyeur

Is it Mario or Max? A hotel has surveillance cameras in all its rooms? Including the bathrooms? And no one notices? And the monitor displays a letterboxed image? Why a handheld camera? Shadow of mike boom on wall!

Tinto Brass presenta

La coccinella
(The Ladybug)

Francesca Nunzi has such a nice comic sensibility. I wish she’d get the chance to develop it some day. Dandy cameo by Tinto and Tinta Brass as door-to-door Jehovah’s Witnesses.

Tinto Brass presenta

Stringimi forte i polsi
(Hold My Wrists Tightly)

A chiropractor’s office. Emanuela Nay as a secretary who’s even less responsible than I am. Erika Saffo Savastani as a nun. Tinto Brass as a father confessor.

The final installment. We get to see Tinto momentarily playing a cop. Hooray! I imagine that some people will like this video, not for any artistic qualities but rather for the hardcore hermaphroditic sex scenes. (I’m not quite sure, but I think some video editions crop out the hardcore imagery, making it softcore.)

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