THE WORKS OF TINTO BRASS
I Borgia
(The Borgias, 1972–present)
Warning: Contradictory
claims of authorship here. Brass claims that he and
Roberto Lerici alone wrote the script of The Borgias,
but famous British author Wolf Mankowitz claimed that he alone
wrote the original screenplay for this film, which he then placed in
circulation via his agent in hopes of landing a gig. What I
think happened is that Brass and Mankowitz both told the
truth: Brass and Lerici coauthored an original screenplay, and once they
(or their producers) noticed a rival script circulating, they decided that,
rather than go into competition, they would be better off hiring
Mankowitz. Ultimately the three of them collaborated on a rewrite. Giulio
Sbarigia produced, the sets were built, Fernando Rey was hired
to portray Pope Alexander VI, and things were
moving ahead. But then the project came to a sudden
screeching halt. When I first met Professor Mankowitz
(on Monday, 14 June 1982) I asked about this, and he
told me what happened:
Well, there are basically two
things I remember about Tinto. One is that
his wife’s cooking — his wife’s
cooking —. You know the Italians cook
excellent food? Well, his wife could cook a
pheasant — a native pheasant — and it
was the most delicious pheasant you have
ever tasted. The other thing I remember
about Tinto Brass is that it amazed me how
someone could live such a normal,
domesticated life at home, and such a
sexually aberrant life in his profession on
the screen.
Do you know if The
Borgias was ever made? It wasn’t,
was it? No. I’ll tell you why it was
never made. You know, the Borgias were
bloody and sexy enough to begin with, but
Tinto wanted to make it even more bloody and
more sexy, so he was coming up with things
that the Borgias had never even
thought of! The producers gave us
about seven or eight million dollars to make
the film. Now you know how films are sold in
Italy? Well, the producers talk to the
theater owners, the exhibitors, who
eventually show the film, and they give it
backing. And I said to Tinto,
“You’re not going to tell them
some of the scenes in this film? Like
the one you talked about this morning?”
(It was a scene that was not in the script,
that Tinto had just added.) But he insisted
that he tell them those scenes. So
there he was, telling this group of
family-type men these scenes of sex and
violence.
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Some months later I asked him if
I could read the script. “Oh it’s somewhere
in my archives. British television plagiarized it, you
know, for a miniseries.” I heard about that
series,” I said, “but I never saw it.”
“It was very bad. I know they plagiarized it,
because they included things that are not in the
history books; they were things I had invented.”
I still want to read that script.
Here are the references:
Variety (8 March 1972, p. 28):
Giulio Sbarigia of Oceania
Cinematografica is teaming with Jolly Film
Producers Arrigo Colombo and Giorgio Papi to
produce a comedy western “It’s a
Tough Life, Eh Providence?” with Tomas
Milian and Gregg Palmer. Western is first of
five pix Sbarigia has slated. Other four are
“The Borgia,” “The Damned of
God” (from Sven Hassel’s novel),
“The Ragamuffin of Nazareth” and
“Salon Kitty” — all four in
partnership with a new banner,
Coralta....
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Variety (12 July 1972, p. 32):
Tinto Brass is back from his
jury assignment at Berlin Film Festival and
prepping “The Borgias” as an
Italo-British coproduction for producer
Giulio Sbarigia’s Oceania
Cinematografica. Fernando Rey is already set
to play Pope Alexander VI....
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Variety (29 November 1972, p. 34):
Art directors Colasanti and
Moore have started set construction at
Cinecittà for Oceania’s costume
spectacle “The Borgias.” Giulio
Sbarigia is producing and Tinto Brass
directing on a reputed $3,000,000 budget
from a script by Brass, Roberto Lerici and
Wolf Mankowitz.
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Variety (3 January 1973, p. 62):
Italian Films In Production
OCEANIA
THE BORGIA
(Jan start — locations Rome, London)
Producer: Coprod Giulio Sbarigia
w/Gr. Britain
Director: Giovanni Tinto Brass
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Variety (4 April 1973, p. 32):
Giovanni Brass is casting
“The Borgias” with British and
Italo performers and pic could finally get
off the ground for Oceania in the next month
or so, but when he does, Robert Mauri will
probably have “I, Lucrezia Borgia”
before cameras for Lattes Cinematografica.
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To this day, Brass is still trying to get this film
off the ground. Too bad you can no longer see these dead links:
Laura Delli Colli, “Da Scorsese a Tinto Brass, l’Italia è
tutta un set,” Panorama On Line, 21 September 2000.
Laura Delli Colli, “Da Scorsese a Tinto Brass, l’Italia è
tutta un set,” L’Espresso, 21 September 2001, reprinted from
Panorama On Line, 21 September 2000.
But you can
still see this little passing mention: Gnomiz, June 2003.
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