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THE WORKS OF TINTO BRASSLe sardomobili(The Sardine-Mobiles, 1972? 1973?)
In the midst of abandoned movie
projects, Brass directed this TV commerical for
Piaggio advertising the Vespa motorscooter. I think
it was one of a series of three concurrent
commercials.
THE LINK IS DEAD, BUT IT WAS GREAT, BELIEVE ME:
http://www.sagepub.co.uk/journals/details/issue/sample/a017441.pdf It was an article by Adam Arvidsson of the University of East Anglia entitled “From Counterculture to Consumer Culture: Vespa and the Italian Youth Market, 1958–78,” which appeared in the Journal of Consumer Culture 1, no 1 (2000), pp 47–71. Yet it’s difficult for me to imagine Tinto Brass riding a Vespa motorscooter. Methinks he prefers the sardine-mobiles. And lo and behold! Look what my friend Aldo De Luca sent me: A link to the commercial! https://www.youtube.com/watch?v=LbWhdLL5j1Q but, of course, it was taken down by command of RAI. Why RAI? Why? What income were you losing by allowing this antique commercial to be seen again? Phooey! Okay, somebody reloaded it on DailyMotion, but the sound is out of sync, noticeably behind the image.
Here, in two minutes, is a template of Tinto’s style. First of all, there’s great casting for faces. The two greatest when it came to casting for faces were Tinto Brass and Federico Fellini. Even if you can’t understand their Italian dialogue, you can gaze at those evocative faces that they chose. We have more, too: half-obscured images and words, obscured faces, camera movements forcing our imaginations to piece together larger pictures,
By the way, that’s not the blonde’s voice and she’s faking the guitar.
Actually, this was shot mute.
The song was prerecorded and the others sounds were added in later.
All the signs are props. The real signs are hidden behind them.
Bizarre, though, that at the end the women ride in the back.
I thought Tinto would have reversed that typical rôle play, but he didn’t.
That was probably a concession to the advertiser, who in turn conceded to RAI.
The funny thing about this commercial is that it’s essentially saying,
“You want to rebel against society?
You can do so only by purchasing our motorscooters.
You want to be a hippie?
Then you need to purchase our motorscooters, or else you’ll never be a hippie.
You want to throw off consumerism?
Then you better buy our motorscooters.
You want to deface a railroad car?
Deface the cheap props instead, and just make it look like you’re defacing the railroad car.”
Well, it’s a commercial. What do you expect?
Now, imagine you’re a film editor
who’s just been handed the 30 minutes of raw footage that went into producing this commercial.
Would you be able to figure out how to piece it together?
If so, you’re a mindreader.
This is the sort of filmmaking that only the director can edit together.
No one else need apply.
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