


AMY GOODMAN: A little-noticed story surfaced a couple of weeks ago in the Army Times newspaper about the 3rd Infantry Division’s 1st Brigade Combat Team. Beginning Oct. 1 for 12 months, reported Army Times staff writer Gina Cavallaro, the 1st BCT will be under the day-to-day control of U.S. Army North, the Army service component of Northern Command, as an on-call federal response force for natural or manmade emergencies and disasters, including terrorist attacks. Disturbingly, she writes that they may be called upon to help with civil unrest and crowd control as well. The force will be called the chemical, biological, radiological, nuclear or high-yield explosive Consequence Management Response Force. Its acronym, CCMRF, is pronounced sea-smurf. These sea-smurfs, Cavallaro reports, have spent 35 of the last 60 months in Iraq patrolling in full battle rattle, in a combat zone, and now will spend their 20-month dwell time time troops are required to spend to reset and regenerate after a deployment armed and ready to hit the U.S. streets....
FOR THE FULL STORY, CLICK HERE.
It gets worse:
NAOMI WOLF: On October 1, 2008, President Bush deployed a brigade which means three to four thousand warriors somewhere in America. We do not know where they are deployed though citizens have informally reported to me having seen military vehicles and troops in Georgia and Alabama. We do know that their official mandate according to the first report is crowd control as well as action in the event of a mass civilian catastrophe. Initial reports described their technology module package as involving Tasers and rubber bullets.... The First Brigade is Bushs force: they are not answerable to Congress or to the Governors of states: they are answerable to the Commander in Chief. In an Alternet posting, I interviewed Air Force Colonel (retired) David Antoon who noted that the troops must obey the president, even if he asks them to arrest Congress or fire on civilians or attack media outlets. If they do not obey orders, he notes, they face five years in prison.... Antoon himself calls the deployment ominous. Troops on our streets makes us something less than a democracy: one definition of a police state is when a leader sends his own military units into civilian streets. Meanwhile the civilian policing of citizens is becoming more brutal. Hundreds of preemptive arrests took place in St Paul, dozens of journalists were arrested.... In St. Paul, funds were sent in advance to pay off the lawsuits against police forces that were guaranteed to arise from the planned abuse of citizens. This sort of thing is happening across the country. The tactic has established a closed circle that has turned citizens law enforcement agencies into contractors of a state that is directing acts of increasing severity against US citizens. Now a military brigade is being deployed....
FOR THE FULL STORY, CLICK HERE.
Click here to see an interview with Naomi Wolf conducted in early October 2008.
For the past five years or so I hve been hearing rumors that Halliburton has been building (and has now finished building) 800 prisons throughout the USA, not yet functioning, but just waiting for the right crisis. I have not found reliable evidence for the specific quantity, readiness, functionality, locations, or details, but you might be interested in taking a look at page 5 of this Halliburton press release dated 26 January 2006: KBR has been awarded a contract announced by the Department of Homeland Securitys United States Immigration and Customs Enforcement (ICE) component. The Indefinite Delivery/Indefinite Quantity contingency contract is to support ICE facilities and has a maximum total value of $385 million over a five-year term. The contract provides for establishing temporary detention and processing capabilities in the event of an emergency influx of immigrants into the United States, or to support the rapid development of new programs.... Now, really, what are the chances of an emergency influx of immigrants into the United States? And what are the new programs that could come under rapid development?
FOR THE FULL PRESS RELEASE, CLICK HERE.
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Gioia di vivere! Is it possible to make a film more appealing than this? I dont think so. This is as warm, as friendly, as life-affirming, as infectiously enthusiastic, and as buoyant as anything can be. The story is simple: Lola wont marry Masetto until they have sex, and Masetto wont have sex until theyre married. After numerous adventures, she gets her way. Dont worry about the story, just have fun watching everyone in the village having a blast. Guaranteed to bring a smile to your face.
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NOTE: In the Italian version, Tinto Brass dubs English-speaking Patrick Mowers lines.
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EVERY CLOUD: A car accident led to this movie. One day Brass and his wife accidentally bumped into a bicyclist. Now, Brass had been looking for a bicyclist to play the lead, and so when the cyclist threw a fit, he asked her to audition. And there you go.
By the way, it was the coming of age of Brasss 16-year-old niece Lulù that inspired this storyas well as Mrs Tinta Brasss wistful memories of her youth.
WARNING: The English dub is re-edited and cutjust a little bit, but enough to ruin everything. Again, see it only if you really just have to know everything the characters are saying. But if you want to have a great time, watch the Italian version. You wont regret it. The quality of the sound in the English dub is dreadful, anyway.
ANTICIPATION: Cult Epics will release the uncut version on DVD in September 2004, with both the English and Italian soundtracks, and with optional English subtitles.
AN HOMAGE: I wondered. I asked. I was told No. Then I kept wondering, asked someone who knew better, and I was told Yes, definitively yes. And what was I wondering?
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WHERE HAVE WE HEARD THAT BEFORE? Mambo italiano, which Brass had used in Miranda, appears here again. One or two pieces from Paprika re-appear in this movie, as does the comic polka from The Key.
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THE OFFICIAL AD: http://www.cinecittaonline.it/noshock/trailers/monella.html
OTHER STUFF: http://www.anica.it/cine/97_98/lungometraggi/Monella.htm http://www.tempimoderni.com/1998/monella.htm
Reviews of the Cult Epics DVD: Told You So Rumour Machine DVD Maniacs Upcoming Discs Cult Cuts Hero Realm Mondo Digital
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| Un produzione (a production) | Cardinal Pictures srlC.R.C. srlProduction Group srlP.F.C.2000 srl |
| Realizzata da (produced by) | Giovanni Bertolucci per California Film srl |
| Soggeto (original story) | Tinto Brass, Carla Cipriani |
| Sceneggiatura (screenplay) | Tinto Brass, Barbara Alberti, Carla Cipriani |
| Direttore della fotografia(director of photography) | Massimo di Venanzo |
| Musiche di (music by) | Pino Donaggio |
| Orchestra diretta da (orchestra directed by) | Natale Massara |
| Edizioni musicali (music publishers) | EMI Music Publishing Italia srl |
| Scenografia (art director) | Carlo de Marino |
| Arredamento (set décor) | Alessandra Martelli |
| Costumi (costumes) | Ivan Crnojevic |
| Aiuto regista - edizione (assistant director - continuity) | Carla Cipriani |
| Collaborazione al montaggio (assistant editor) | Fiorenza Mueller |
| Primo assistente operatore (first assistant cameraman) | Andrea Doria |
| Fotografo di scena (still photographer) | Gianfranco Salis |
| Promozione (promotion) | Saverio Ferragina |
| Organizzatore amministrativo(accounting manager) | Mario Sampaolo |
| Organizzatore generale (general manager) | Mario di Biase |
| Scritto diretto montato da(written directed and edited by) | Tinto Brass |
| English version | Gene Luotto |
| ADR recorder | Sandro Pallottini |
| ADR organizer | Clementina Luotto |
| Si ringraziano (we thank) | LulùDanilo DonatiLorenzo CodelliIsabel VitturiJarto e Anita CoppiMaurizio GalimbertiElena TiberiLocanda Cipriani - TorcelloLamministrazione e gli abitanti di (the authorities and citizens of) Pomponesco e Dosolo per la collaborazione e lospitalità (for their collaboration and hospitality) |
| Parrucchiera (hairdresser) | Jole Cecchini |
| Ass. parrucchiere (asst. hairdresser) | Alessandro Durante |
| Truccatrice (make-up) | Claudia Shone |
| Ass. truccatore (asst. make-up) | Riccardo Incagnoli |
| Fonico (sound man) | Andrea Petrucci |
| Microfonista (boom man) | Aristide Bagliocchi |
| Assistente operatore (asst. cameraman) | Fabrizio Ancillai |
| Aiuto operatore (focus puller) | Emiliano Topai |
| Assistente alla regia (asst. to director) | Stefano Costa |
| Assistente al montaggio (asst. editor) | Giovanna Ritter |
| Coreografa (choreography) | Gabriella Borni |
| Assistente costumista(assistant costume designer) | Alessandro Bentivegna |
| Sarta (wardrobe) | Gina la Rocca |
| Ispettore di produzione (unit manager) | Vittorio Fornasiero |
| Segretari di produzione (production secretaries) | Francesca Andriotto, Patirzia di Bernardino, Mauro Babini, Pietro Carpentieri, Carlo Cosimi Proietti |
| Amministratrice (business manager) | Alessandra Sampaolo |
| Segretaria di edizione (continuity) | Cinzia di Biase |
| Capo elettricista (gaffer) | Sergio Spila |
| Elettricisti (best boys) | Marcello Cardarelli, Andrea di Biase, Alessio Nannicini |
| Gruppista (generator operator) | Riccardo Ricci |
| Capo macchinista (key grip) | Pietro Santarelli |
| Macchinisti (grips) | Massimiliano Anzellotti, Tonino Marra, Fabrizio Marra |
| Attrezzista (prop master) | Remo Pizzaroni |
| Aiuto attrezzista (asst. prop) | Sergio Pizzaroni |
| Autisti (chauffeurs) | Fabrizio Faitanini, Maurizio Principessa |
| Teatri di posa Sviluppo e stampa, Macchine da presa, Mezzi tecnici (sound stages, lab, cameras, technical equipment) | Cinecittà |
| Tecnici del colore (color technicians) | Pasquale Cuzzupoli, Stefano Giovannini, Gianni Cerniglia |
| Macchine da presa, Mezzi tecnici(cameras, technical equipment) | Arco Due srl |
| Pellicola negativa (negative stock) | Fuji |
| Post sincronizzazione (sound studio) | Fono Roma |
| Mixage (mixer) | Alberto Doni |
| Fonico di doppiaggio (dubbing recorder) | Stefano Nissolino |
| Assistente al doppiaggio (assistant dubber) | Corrado Russo |
| Costumi (costume house) | Sartoria Russo snc |
| Parrucche (wigs) | Rocchetti & Rocchetti |
| Auto depoca (period cars) | F.lli Cartocci |
| Calzature (footwear) | Arditi CCT srl |
| Lampada e gelatine (lights and filters) | Ditta Petracca |
| Trasporti e gruppi elettrogeni(trucking and generators) | Romana Autoservizi srl |
| Titoli e truke (titles and opticals) | Studio 4 |
| Effetti sonori (foley studio) | Cineaudio Effects |
| Effetti speciali (special effects) | F.lli Corridori |
| Tappezzerie (upholstery) | Sanchini sas |
| Arredamenti (furnishings) | E. Rancati srlArredamenti Cineteatrali G.R.P. |
| Cestini (catering) | Food Service (CR) |
| Assicurazione (insurance) | Assitalia |
| Laboratorio fotografico (still-photo lab) | Cavalieri snc |
| Aggettistica (bric-a-brac) | La Teca dellImmaginario |
| Esterni (locations) | Triangolo della Gnocca |
| Synthesizer programmed & performed | Paolo Steffan |
| Il libro MONELLA è pubblicato da | Marsilio Editori spa |
| La canzone Mona monella | Donaggio - Timbras - Emi |
| è cantata da | Anna Ammirati |
| Musiche di repertorio (musical excerpts) | BE BOP A LULAGene Vincent - Warner Bros - EmiNON, JE NE REGRETTE RIENCurciIN THE MOODGlenn Miller - Curci - Sony MusicMAMBO ITALIANOC. Boni - Franton - Nuova Fonit CeltraLETS TWIST AGAINCurtis King - Combo - Warner ChappeliFOLLE BANDERUOLAMina - Polygram - CaroselloNESSUNOMina - Sugar Music - CoroselloVORREI SAPERE PERCHÈMina - Sugar Music - Carosello |
| Si ringrazia inoltra (we also thank) | Mario Maurizi Tonino Tedesco Polaroid La Maison Louis Roederer Wolford Salumificio Galli Remo srl Consorzio del Parmigiano Reggiano Forme Pasiglie Leone Florarredi per Contea Gentiuni Olr1 Dei Valli & Valli La Signoria di Firenze Artemide Artie Mestieri Chelini Monica Nero Liliana Rigattieri Vinnaioli Jermann La Scolca - G. Soldati Emmeci - Infiore Dolce Salato Zarotti Arturo Intesa 7 Intesa Tulli e Zuccari Calp Porcellana Bianca Panificio Panella Kriptonite Castagneti & C. Pietro Berto Biciclette Opinion Leader Rosa Splendiani Sheraton Nannini |
| Spectral Recording Dolby Stereo SR in Selected Theatres |
| PERSONAGGI E INTERPRETI | |
| Lola | Anna Ammirati |
| André | Patrick Mower |
| Masetto | Mario Parodi |
| Michelle | Susana Martinkova |
| Pepè | Antonio Salines |
| Wilma | Francesca Nunzi |
| Ginetto | Vittorio Attene |
| Carmelina | Laura Trotter |
| Toni | Carlo Reali |
| Remo | Maurizio Prudenzi |
| Carla | Edith Rozsnyai |
| Gildo | Alberto Capone |
| Zaira | Serena Grandi |
| ??? | Mirella Zardo |
| ??? | Emanuela Quaglia |
| Fra Cappuccino | Osiride Pevarello |
| ??? | Roberta Fiorentini |
| Direttore dorchestra | Tinto Brass [uncredited] |