|
 |
THE WORKS OF TINTO BRASSErotic and Commercial ExperimentsContinued
Capriccio
(a.k.a. Love and Passion, 1987)
 |
 |
REVISED NOTES,
POSTED ON MONDAY, 11 NOVEMBER
2002: On my first viewing, nearly a year
ago, I thought the first 15 minutes enchanting,
but the rest of the movie didnt do much
for me. Well, thats putting it mildly.
Actually it horrified me. But a second viewing
changed my mind, and Capriccio is now one of
my favorites. Brass had wanted to make this film,
from Mario Soldatis novel,
immediately after The Key, but had to wait
a few years to convince a producer. The story,
which I at first thought overly simplistic, is of
Jennifer and Fred, a couple whose marriage is
beginning to fail. A business trip to Capri after
the war reunites them with their previous lovers,
the scary pimp Ciro and the hot-tempered hooker
Rosa. The disillusionment that both Jennifer and
Fred suffer has the unexpected consequence of
renewing their marriage. On my first viewing, my
basic problem was Jennifers crush on the
scary Ciro, which I found disturbingly unrealistic.
More specifically, the one scene that turned my
stomach and turned me off to the entire movie was when
Jennifer lured Ciro into attacking her. But when I
watched the film again (Why, you ask? Because I
wanted to write about it), I realized how dumb I
was. All my life Ive been witnessing
otherwise-intelligent women swooning over dangerously scary
guysand seeming to enjoy being victims of
violence. For the life of me Ill never understand
why that is. So okay, the movie is perfectly realistic.
How could I have thought otherwise? Still, though, I
wish that scene had been written differently, without the
sexual violence. Anyway, that aside, Capriccio
beautifully explores the minds of people who are a short
step away from self-understanding. The acting by the four
leads is completely convincing, and Nicola Warren in
particular is superb. (She is obviously a professional
actress, but she has made no other movies, and Google
searches turn up absolutely nothing. Strano!)
The more I think about it, the more beautiful I think
this movie is. (And no, in case youre wondering,
the sex scene at the end is faked. And if youre
wondering why Mario Soldati is not credited, well, thats
simply because he didnt want to be.
I dont know why.)
Interesting to see Brasss
daughter Beatrice as Alice the babysitter. (Is she the one
whos credited simply as Bea? Is the
baby shes babysitting her real-life son? Is his
name Matteo? Is the girl watching the parade Brasss
niece Lulù?)
NOTE: Ciro, in addition to
being a personal name, is also the name of the film
splicer invented by famous editor Dott. Leo Catozzo.
The expensive models are the best splicers in the
world, and the inexpensive models are the worst
splicers in the world. I dont know if that bears
any significance on this film, but just in case it
does, now you know.
TECHNICAL NOTES:
Capriccio was made in English, but every English
copy we have found looks just terrible. The only copy we
know of that looks nice, bright, clear, sharp, colorful, and
widescreen (1.66:1) is the Italian dub. Oy.
ANOTHER NOTE: This is the
first of Brasss films in stereo.
YET ANOTHER NOTE: Brasss
next script was Luomo che guarda, from
the Alberto Moravia novel, which was scheduled to go
before cameras in late 1986 or early 1987, but was
delayed by seven years. (See Variety, 2 April
1986, p. 42.)
 |
 |
| The out-of-print Region-2 PAL DVD from somewhere in Scandinavia, which is full-screen (cropped) but at least in the original English. This will not play on most US equipment. |
The widescreen Italian Region-2 PAL DVD, which seems to contain only the Italian-dubbed soundtrack. This will not play on most US equipment. |
ANICA Associazione Nazionale Industrie Cinematografiche Audiovisive e Multimediali
Luigi e Aurelio
De Laurentiis presentano
un film di Tinto Brass
Capriccio
Copyright © 1987
Famous Films Productions n.v.
| Operatore alla macchina (cameraman) |
Enrico Sasso |
| Collaborazione al montaggio (assistant editor) |
Fiorenza Müller |
| Montaggio sonoro (sound editor) |
Alessandro Sandro Peticca |
| Ufficio stampa (press office) |
Lucherin-Pignatelli |
| Fotografo di scena (still photographer) |
Gianfranco Salis |
| Coordinamento generale (coordination) |
Carla Cipriani |
| Organizzatore amministrativo (accounting manager) |
Mario Sampaolo |
| Organizzatore generale (production manager) |
Mario di Biase |
| Costumi disegnati da (costumes designed by) |
Jost Jakob |
| Costumista (costumer) |
Carolina Ferrara |
| Divise (uniforms) |
Ugo Pericoli |
| Scenografia e arredamento(art director) |
Paolo Biagetti |
| Musica composta e diretta da (music composed and conducted by) |
Riz Ortolani |
| Direttore della fotografia (director of photography) |
Silvano Ippoliti |
| Una produzione |
Famous Films Productions n.v. |
| Realizzata da (produced by) |
Giovanni Bertolucci |
| per la (for) |
San Francisco Film S.r.l. |
| Liberamente tratta dal romanzo di(freely adapted from the novel by) |
Mario Soldati, Le lettere da Capri[uncredited] |
| Scritto, diretto e montato da(written, directed, edited by) |
Tinto Brass |
| Aiuto regista (assistant director) |
Sandro Peticca |
| Segretaria di edizione (continuity) |
Carla Cipriani |
| Parrucchiera (hair dresser) |
Iole Cecchini |
| Truccatore (make-up) |
Fabrizio Sforza |
| Coreografo (c[h]oreographer) |
Giuseppe Pennese |
| Primo assistente operatore (first assistant cameraman) |
Ettore Corso |
| Assistente al montaggio (second assistant editor) |
Giovanna Ritter |
| Arredatore (set dresser) |
Maurizio Garrone |
| Fonico di presa diretta (sound) |
Amedeo Casati |
| Ispettori di produzione (unit managers) |
Massimo Ferrero, Roberto De Laurentiis |
| Assistente scenografo (assistant art director) |
Emita Frigato |
| Capo elettricista (gaffer) |
Sergio Spila |
| Capo macchinista (key grip) |
Giancarlo Rocchetti |
| Attrezzisti (property masters) |
Roberto Magagnini,Marco e Luca Mazzieri |
| Effetti speciali (special effects) |
Franco Celli |
| Maestro darmi (stuntman) |
Giorgio Ricci |
| Microfonista (boom man) |
Alfredo Petti |
| Assistente truccatore (assistant make-up) |
Antonio Maltempo |
| Assistente operatore (second assistant cameraman) |
Gino Conversi |
| Assistenti alla regia (second assistant directors) |
Emanuela Lucidi, Massimo Arcalli |
| Dialogue coach |
Stefania Amfitheatrof |
| Assistenti costumisti (assistant costumers) |
Simonetta Mattei, Fulvia Amendolia |
| Sarta (wardrober) |
Franca Paoletti |
| Pittore (set painter) |
Otello Tiberi |
| Aiuti al montaggio (third assistant editors) |
Giorgio Peticca, Cristina Serangeli |
| Elettricisti (best boys) |
Marcello Cardarelli, Franco Cardarelli, Franco Gubiotti |
| Macchinisti (grips) |
Massimo Galiano, Mario Occhioni, Riccardo Ferrero |
| Cassiere (paymasters) |
Dorina Mari, Alessandra Sampaolo |
| Segretari di produzione (production secretaries) |
Francesca Andriotto, Mauro Babini, Andrea Mattei |
| Edizione italiana a cura di (Italian edition) |
Gruppo Trenta |
| Assistente al doppiaggio (assistant dubber) |
Monica Simonetti |
| Fonico di doppiaggio (dubbing recording) |
Adriano Torbidone |
| Esterni (locations) |
Capri, Amalfi, Atrani, Caserta, Tarquinia, Soriano, Caprarola, Vicarello |
| Teatri di posa (interiors filmed at) |
De Paolis, Roma |
| Negativi (negatives) |
Kodak spa |
| Sviluppo e stampa (processed by) |
Technicolor spa |
| Postsincronizzazione (postsynchronization) |
Cinecittà spa |
| Missaggio (sound mixers) |
Fausto Ancillai e Danilo Sterbini |
| Titoli e truke (titles and opticals) |
Studio 4 |
| Sartoria (wardrobe supplied by) |
Russo Costumi dArte srlNeriteatromoda srl |
| Calzature (shoes) |
L.C.P. srl |
| Parrucche (wigs) |
Rocchetti-Carboni |
| Tappezzerie (textiles) |
Schiavi Bruno |
| Arredamento (set dressing) |
DAlfonso-DedaloG.R.P.-Latour |
| Mezzi tecnici (technical equipment) |
CineNoleggio |
| Trasporti (transportation) |
Romana Trasporti Cinematografici srl |
| Musiche di repertorio (songs) |
ROSAMUNDAdi Nise - Vejvodaed. Leonardi-MilanoBUONASERA SIGNORINAdi Sigman - De Roseed. R.C.A.NANNÌdi F. Silvestried. Abramo Allione Edizioni MusicaliTAMMURIATA NERAdi E. A. Mario - E. Nicolardiedizione musicale eseguita dallaNuova Compagnia di Canto Popolaresupervisione artistica diRoberto de Simonedisco EMI Italiana |
| Dolby stereo sound consultant |
Federico Savina |
|
Dolby Stereo in selected theatres |
| PERSONAGGI E INTERPRETI |
|
| Jennifer |
Nicola Warren (doppiata in italiano da Roberta Paladini) |
| Rosa |
Francesca Dellera (doppiata in italiano da Giuppi Izzo) |
| Fred |
Andy J. Forrest (doppiato in italiano da Tonino Accolla) |
| Ciro |
Luigi Laezza (doppiato in italiano da Claudio Sorrentino) |
| ??? |
Isabella Biagini |
| ??? |
Venantino Venantini |
| Clark Gable |
Giuseppe Pino Pennese |
| ??? |
Dodi Moscati |
| Sergeí |
Osiride Pevarello |
| ??? |
Josephine Van As |
| Alice |
Bea [Beatrice Brass] |
| Hotel Owners Young Niece |
Lulù |
| Duccio |
Matteo |
| Don Vincenzo |
Vittorio Caprioli |
| ??? |
Camillo Marino |
| ??? |
Enzo Turrin |
| ??? |
Simona Tedeschi |
| ??? |
Laila Peloso |
| ??? |
Armando Marra |
| ??? |
Luciana Cirenei |
| ??? |
Jean René Lemoine |
| ??? |
Cheryl Lee Buchanan |
| ??? |
Maria Rosaria Virgili |
| Waiter |
Eolo Capritti |
| ??? |
Robert Sommer |
| ??? |
Umberto Conte |
| ??? |
Paolo Pigozzi |
| Hotel Owner |
Tinta Brass (Carla Cipriani) [uncredited] |
| Rosas Client |
Tinto Brass [uncredited] |
CLICK HERE TO CONTINUE
Click here to return to beginning